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joint “Franchise” that only exists for the next 30 seconds because I just reminded you it ever existed at all. We had a mix of songs that refused to ever go away (see: “Blinding Lights,” “Don’t Start Now”), and a bunch of number ones that disappeared on impact there’s a one hit wonder, and then there’s a song like the Travis Scott featuring Young Thug and M.I.A.
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That’s the kind of heat 2020 had.Īnother thing, too, is that pop music never really figured itself out last year. Not that you’d know anything was up by listening to “Say So” or “Savage”, but in hindsight, the race between the two last spring was a competition between one song with an emerging problematic artist and her post-cancellation producer, and another song whose lead artist was later shot by another artis t in the same year. Amidst everything else going on–pandemic updates, racial justice upheaval, CNN alerts when a tenth of a percentage point in an Iowan county might shift, and any personal crises that came along or were exacerbated by all of the above–nothing felt goofier than going, “Huh, I wonder if this is the week ‘Levitating’ cracks the top ten.” And even when you did manage to tear yourself away to the charts, there were times where eyeing the Hot 100 felt emphatically not goofy. For one, keeping up with the Billboard horserace last year felt sillier than ever. It’s because I’ve dragged my feet for two three months getting to this one. Urging all artists from around the region to represent their art for conscience, Naga Homeboiz stated that more activities like this will be introduced phase wise to educate, express and influence the masses for the greater good and benefit of all.Full disclosure: the late start on Listmas and then the long gap between this year’s deep diving posts wasn’t because of last time’s piece. We are here to represent and uphold the true essence of how Hip-Hop started as a movement for the oppressed in voicing out there opinion or share narratives and solidarity through various forms of art. On further conversation with the emcees involved they stated that this is just a tip of the immense potential that lies in the local Hip-Hop scene. The Music Video which was released yesterday have been a constant hit online and have been rave reviewed positively by listeners and critics alike. The whole project was accomplished on a zero budget with co-operation from other Kohima based Hip-Hop artist and individuals. It may be mentioned here that this is another initiative of Naga Homeboiz to promote the art of Hip-Hop in the state after successfully winding up a major event that idolized similar interest. This they say is to flash their lyrical skills and also reach out to every section of the global community symbolizing unity and cutting across barriers of culture or language. The trio emcees consisting of Moko Koza, Macnivil and M-Dox rap and lock their flow in multiple languages of Nagamese, English and Hindi on the track. On the Kohima version of the jam session the metropolis based youngsters pledge on the responsibility to represent their love for the hometown and share the chronicles involving life in the capital.ĭelivering intricate and sleek rhymes that covers themes ranging from personal struggle, flexing inspiration to taking a dig at the system and the current corruption fiasco.
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Ten toes down literally means to be genuinely committed to something you love or value dearly. The dare is designed for individuals to basically drop bars over a particular instrumental and share one`s story through poetic influence and delivery. The Ten Toes Challenge is an initiative that was started by producer BubbaGotBeatz.